The Narrow Road to the North Prologue

matsuo basho

matsuo basho

Station 1 – Prologue

Days and months are eternity’s travelers. As are the years that pass by. Those who steer a boat across the sea, or drive a horse over the land, finally succumbing to the weight of years, spend each minute of their lives traveling. There are also a great number of the ancients who died on the road (including Chinese Tang poets Li Bai and Du Fu and Japanese poets Saigyo and Sogi). For a long time, tempted by  cloud-moving winds, I myself  have felt a strong desire to wander.

It was only toward the end of last autumn that I returned from rambling trip along the coast. I barely had time to sweep the cobwebs from my humble house on the River Sumida before the New Year, but no sooner than the spring mist had begun to rise over fields that I wanted to be on the road again, in due time to cross the barrier-gate of Shirakawa . The gods seemingly possessed my soul turning it inside out and from every corner the roadside images seemed to entice me, so that it was impossible for me to stay idle at home.

Even as I was getting ready, mending my torn trousers, tying a new strap to my hat and applying moxa to my legs to strengthen them, I was dreaming of the full moon rising over the islands of Matsushima. Finally, I sold my house and temporarily moved to Sampu’s cottage. Upon the threshold of my old home, I wrote a linked verse of eight lines and hung it on a wooden pillar.

The starting piece:
Behind this door
Now buried in deep grass
A different generation will celebrate
The Festival of Dolls.

The Narrow Road to the North

Joined by his traveling companion Kawai Sora (河合曾良), Matsuo Bashō left his home in Edo (Tokyo) in the spring of 1689 for a journey to the north and west coast of Japan. The journey took approximately five months, with Bashō and Sora traveling on foot about ten miles a day.

There were some 40 stations and stops on his journey including: the Tokugawa shrine at Nikkō, Kurobane in the province of Nasu, a Zen temple called Unganji, the Shirakawa barrier, on towards Sukagawa crossing the River Abukuma, through the famous hills of Asaka, through the castle towns of Abumizuri and Shiroishi, arriving at the province of Kasajima, crossing the River Natori and entering the city of Sendai, stopping at the River Noda no Tamagawa and the so-called Rock in the Offing, at the pine woods called Sue no Matsuyama, then to the islands of Matsushima, to Hiraizumi where the glory of three generations of the Fujiwara family passed away like a snatch of empty dream, then down the west coast of Japan to Sakata, Kisakata, and Etchū.

He and Sora parted ways at Yamanaka, but at Ōgaki he met a few of his other disciples before departing alone to the Grand Shrine of Ise near Kyoto, where the account ends.

After his journey end, Bashō spent five years editing the work before publishing it.

The Work in Full

View the Matsuo Basho Archives

 

The Chrysanthemum – 菊の花

mass of white chrysanthemums

Drinking his morning tea calms the monk – Chrysanthemum

朝茶飲む 僧静かなり 菊の花

Asa cha nomu / sō shizukanari / kiku no hana

mass of white chrysanthemums

The Chrysanthemum

Matsuo Bashō (松尾 金作), Japan’s most famous poet of the Edo period, made the chrysanthemum the subject of several haiku. In Japanese the flower is called Kiku-no-hana, literally blossom of the chrysanthemum, or Kiku for short.

As early as the 5th century, it was imported from China into Japan by Buddhist monks, originally as medicine then becoming an object of beauty and admiration. Japanese royalty came to love the flower because they believed it had the power to prolong life. In 1183, the sixteen petal chrysanthemum became the imperial symbol. In November Chrysanthemum Festivals across Japan celebrate the many varieties of the late blooming flower.

As medicine, chrysanthemums are used to treat chest pains and high blood pressure, as well as fevers, colds, headaches, and dizziness.

The delicate petals are brewed into tea, which in our case calms the nervous monk in the morning.