A world turned upside down

withered and bowed
the world upside down,
bamboo in the snow

shiore fusu ya yo wa sakasama no yuki no take

萎れ伏すや世はさかさまの雪の竹

Bashō’s Early Haiku

In 1666, after the death of his samurai master, Matsuo Bashō, age 24, moved to Kyoto to study haiku. This haiku was written shortly thereafter.

During the winter of 1666-1667, Bashō visited the home of a young couple whose child had died. Entering their home, he bowed in respect, saw face sunken faces. They too had their backs bent with sorrow.

Their inconsolable grief reminded him of a Nōh play by Zeami Motokiyo, Take no Yuki, Snow on Bamboo. In the play, a step-mother sends a young boy into the freezing snow in a bamboo grove. He dies, but the gods, moved by the grief of his father and real mother, bring him back to life.

Translation

Shiore fusu, 萎れ伏 , withered and bent down. 伏, fusu, bowing down, a mark of respect Bashō gave the grieving couple on entering their home.

Sakasama, 逆さま, literally upside down, inverted; yo wa, 世は, the world, but a word play on being unsteady or tipsy.

Yuki no Take, 雪の竹, bamboo in the snow

Black Crow on a Snowy Morning

Normally,
A black crow is detestable –
But on a snowy morning?

higoro nikuki karasu mo yuki no ashita kana

ひごろにくき烏も雪の朝哉

snowy-morning — **Koishikawa yuki no ashita, Snowy morning at Koishikawa**

A haiku about nothing

Before there was Jerry Seinfeld, there was Matsuo Basho. Jerry Seinfeld was an American comedian who made observational humor. He had a long-running television show, whose moniker was, ” a show about nothing”, where the nothings consisted of the daily doings of Jerry and his friends. These events somehow became funny.

Like Seinfeld, Basho’s haiku often concerned everyday events that in one way or another took on meaning.

This poem was written in 1691, at Gichu-ji, a Tendai temple in Otsu on Lake Biwa, where Basho often stayed in a cottage called Mumyo-an, “Nameless Hut”. Basho was there with Mizuta Masahide, and with little to do replied to a friend who had written him a letter.

“Yesterday, it snowed and was terribly cold. I was in my hut and so, did not go anywhere. Then I had this thought. ‘Normally, a black crow is a detestable thing, but what about on a snowy morning?'”

Translating the Haiku

Higoro, ひごろ, normally, daily.

Karusu, 烏, crow or raven. These big black hungry birds in flocks of hundreds often make an early morning noisy nuisance.

Yuki no ashita, 雪の朝, a snowy morning.

About the Image

“Snowy Morning from Koishikawa” (Koishikawa yuki no ashita), circa 1830, by Katsushika Hokusai, 葛飾北斎, from the series “Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)”. This image may be found at the Art Institute of Chicago and elsewhere.

Sonome – White Chrysanthemum

in the eye of a white chrysanthemum
there is not a speck of dust

gazing intently
at the white chrysanthemums –
not a speck of dust

shiragiku no / me ni tatete miru / chiri mo nashi

白菊の目に立てゝ見る塵もなし

November 1694

In 1694, Bashō left Edo (Tokyo) for one last trip south to his place of birth and to the Ise Shrine. Arriving in Osaka, where he had studied as a youth, he visited the poetess, Shiba Sonome, who was born in Ise, the daughter of a priest from the Ise Shrine, and later the wife of a doctor. Both Sonome and her husband had been students of Bashō. Later, after the death of her husband, she became well known for her poetry, her care for others, and her beauty.

Dust on Chrysanthemums, Kiku no Chiri, 菊の塵 was one of her published works.

Bashō did not live to make it to the Ise Shrine. Within a month, as the chrysanthemum flower began to fade, he died. The date, November 28, 1694.

Notes on translation

This haiku is often translated from the point of view of the poet gazing at the chrysanthemum. I prefer a more objective view. The eye of the white chrysanthemum exists without dust.

白菊, shiragiku, the first two characters of the haiku, translate as white chrysanthemum. 立, literally, to live, to exist, suggests, at least to me, the Zen idea that no dust exists in the eye of the chrysanthemum.